Author: Han Wen

  • Modular Synth

    This week I focused on my study of the modular synthesiser, I experimented with various wiring connections to create sound pieces.In one of the attempts a rain soundscape was created, accompanied by birdsong and raindrops hitting a rubber shed Below are the study notes. VCO Oscillator – generates sound VCF Filter – shapes the tone…

  • Dataplex

    Dataplex (stylized as dataplex) is a 2005 album by Japanese sound artist Ryoji Ikeda.The first 19 tracksoriginate from tiny flecks of noise, clicks, and pulses of pure sine tones ranging from dogwhistle-high to bowel-shakingly low. They’re arranged with surgical precision into short slices of minimalist art-techno; funky in a very cerebral, molecular sort of fashion. This is a good…

  • Notes

    mono–monophonic one sound stereo–uses two audio channels: the left and the right 5.1 Front Left (FL) Front Right (FR) Center Channel (CNT) two surround channels (Surround Left – SL and Surround Right – SR)  low-frequency effects (LFE) channel designed for a subwoofer 7.1 FL FR CNT SL SR LFE plus two rear surround channels (SBL and SBR) 12.1 FL FR CNT LFE SL SR rear…

  • Analog

    I’m trying to use analogue to sculpt the various tones in strange things.I think it’s a time consuming process because I need to figure out each parameter one by one without having a good grasp of how the waveforms are modulated into the various tones.In the process, I learnt not only about the control of…

  • Frequency distribution of the GREEN

    Hiroshi Yoshimura’s “Green” (1986) is one of my research cases on Japanese ambient music.The frequency distribution of this piece is representative for symbolising Japanese culture and history.As can be seen in the figure, the frequency of the piece has a cyclical character, which echoes the Japanese culture that emphasises the cosmic order of cycles and…

  • Synthesizer Attempt

    In class, I tried several synthesizers. Among them, three left a deep impression on me: Korg Minilogue, ARP Odyssey, and Moog Matriarch. Here are some of my experiences using them:

  • Culture in sound

    Through the study of Japanese ambient music, I have discovered its reconstruction of local identity in the tide of globalization. For instance, David Novak’s marginal circulation theory reveals its essence: the combination of Western electronic technology and Eastern spirituality. The shock of post-war modernization and the collapse of the bubble economy forced artists to rewrite…

  • The Power of Protest in Sound

    We visited the sound exhibition of Iranian artist Noori, whose theme was Echoes of Protest. She didn’t tell stories through pictures or words, but used various sounds to let you directly feel the emotions of protest – such as anxiety, hope, and powerlessness. 27 minutes of audio:Someone recites T.S. Eliot’s “The Hollow Men” (the original…

  • Some texts and thoughts

    a. In Noise, volume flattens out the scene to foreground the idiosyncrasies of individual sensation. Noise fans and performers sometimes describe their experiences at live performances as a state of hypnosis, dreaming sleep, or trance. This immersion in volume is not a moment of social collectivity but a personal encounter with the overwhelming presence of…

  • Ethical issues brought about by sampling techniques

    Digital samplers can transform sounds into codes that can be replicated infinitely. Thomas Porcello points out in “The Ethics of Digital Audio Sampling” that although this technology has brought convenience, it has also raised many issues regarding copyright and creative ethics. For instance, in the 1980s, Jan Hammer sampled the performance of percussionist David Johnson,…